The dead room measures 12’ x 10’ with an 8’ ceiling, there is extensive broadband trapping in the room to ensure the
rooms frequency response is even. There are 12 microphone tie lines to the control room and 4 speaker and 4
instrument lines connected to the live room. There are two booths that measure 6’ x 4’ with the same design and
trapping as the dead room. These have 2 microphone, 2 line level and 2 speaker tie lines to the control room.
We wish we could take credit but more by accident than design the hallway connecting the live and dead room happens
to have a nice natural ambience. There is a Schneider Disc mounted on the wall connected at the patchbay in the
control room to easily capture ambience from instruments located in the live or dead room just by leaving the door
open.
The control room measures 24’ x 17’ with a sloped ceiling going from 9’ at the front and back to 13’ in the centre. Like
most control rooms it was designed around a ‘sweet spot’ but measurements show that the frequency response is
relatively flat in all areas of the room. There is a comprehensive 480 hole bantam patchbay and also a 64 hole XLR
microphone level patchbay. There is a wide selection of adaptor cables with bantam to all the other main connector
formats.
The live room measures 17’ x 19’ with a sloped ceiling going from 8’ at the front and back to 12’ in the centre. The room
is fairly live but well controlled with slate covered bass traps, these absorb problem bass frequencies but don’t suck the
life out of the room. These are 16 microphone, 8 line and 4 speaker level tie lines to the control room.
rooms frequency response is even. There are 12 microphone tie lines to the control room and 4 speaker and 4
instrument lines connected to the live room. There are two booths that measure 6’ x 4’ with the same design and
trapping as the dead room. These have 2 microphone, 2 line level and 2 speaker tie lines to the control room.
We wish we could take credit but more by accident than design the hallway connecting the live and dead room happens
to have a nice natural ambience. There is a Schneider Disc mounted on the wall connected at the patchbay in the
control room to easily capture ambience from instruments located in the live or dead room just by leaving the door
open.
The control room measures 24’ x 17’ with a sloped ceiling going from 9’ at the front and back to 13’ in the centre. Like
most control rooms it was designed around a ‘sweet spot’ but measurements show that the frequency response is
relatively flat in all areas of the room. There is a comprehensive 480 hole bantam patchbay and also a 64 hole XLR
microphone level patchbay. There is a wide selection of adaptor cables with bantam to all the other main connector
formats.
The live room measures 17’ x 19’ with a sloped ceiling going from 8’ at the front and back to 12’ in the centre. The room
is fairly live but well controlled with slate covered bass traps, these absorb problem bass frequencies but don’t suck the
life out of the room. These are 16 microphone, 8 line and 4 speaker level tie lines to the control room.
